Monday 28 December 2009

C.W. Stoneking


A friend of mine had recently introduced me to this independent Australian blues singer, C.W. Stoneking. After bashing out an impromptu late night rendition of his song The Love Me or Die, I had to find out more about his music.

I love songs that tell stories, rather than meaningless narrative pap concerning the sorrows of some mega-rich diva whose slightly peeved at discovering her lover fucking the maid. No. Blues music is all about having nothing and loosing everything. C.W. Stoneking embodies this fluently within his lyrical composition.

This modest musician is brilliant, previously scooping an AIR award for Best Independent Blues Release. Give him a listen at his myspace: myspace.com/cwstoneking 

Especially listen to The Love Me or Die. Brilliant.

Guy McKinley


Whilst casually browsing through Tristan Manco's The Streek Sketchbook I came across the work of graphic designer Guy McKinley.

Liverpudlian McKinley describes himself as just a bog-standard illustrator, trying to create some beautiful images. This is a humble assessment from someone who is constantly creating characters and throwing himself into a wide range of projects, including murals and canvases.

Based in Manchester, Mckinley draws all the time for fun, but when a job comes in he enjoys it just as much. Ballpoint and pencil are his favourite tools for sketching: "If someone out there was to invent a huge biro, the size of a Large Posca, it would help me out no end". He sees his sketchbooks as a training ground for the characters and storylines that gradually develop in his personal and professional work.



His influences are numerous but include Simon Bisley, Jamie Hewlett and Maurice Sendak. He aims for "simple line and composition. Whether it's a serene scene or a nice face, it's got to be good looking. When I started looking into the old Japanese woodprints and their simply great line work and wonderful composition, I was just astounded. If your image is hard to make and looks difficult, I think you can drown a piece".

Taken from The Street Sketchbook by Tristan Manco.
  
streetsketchbook.com 

Street Sketchbook at Amazon 

Flickr: Guy McKinley


Saturday 26 December 2009

Thursday 24 December 2009

My Latest Obsession


Vikki Blows

Jizz. In. My. Pants.

Tuesday 22 December 2009

Rage Over Rage



Facebook was awash with a status tsunami on Sunday as users rejoiced over the victory of Rage Against The Machine as crimbo UK number 1. The relentless campaign, started by couple Jon and Tracey Morter paid off in spades. However, an air of hostility hangs over the victory, as many die-hard RATM fans feel the result has been bittersweet. It's the same old story, once something's popular, it's no longer cool, right?

Wrong.

I supported the idea since I was first introduced to the group. Albeit I am not the most avid fan of RATM, but I appreciate the impact they created back in the day. Killing In The Name Of was an apt choice to go against Joe McElderry's cover of piss-poor ballad The Climb. Regardless of choice of song, the objection was still apparent; to break the monotonous cycle by any means nessesary. At first I was a little sceptical over the campaign. Would it actually work? Probably not. I believed mass laziness would prevent the desired outcome. I was surprised with the end result, but I wasn't surprised with the mass outrage from RATM fans. It is believed, by some, that the original fan base has been compromised with constant media attention of the notoriously reclusive band and persistent airplay of Killing In The Name Of. They seem to have forgotten that the campaign was initiated for all the right reasons. RATM donated all profits from singles to homeless charity Shelter, and it's the first UK number 1 from downloads alone. All this from a Facebook campaign. I was impressed.

To those that hold the arrogant belief that this was the wrong choice of artist and song, you've severely missed the point. The objection of the campaign was to prevent the chart-demolishing juggernaut the X-Factor hogging the Christmas number 1 spot for the fifth consecutive year. Because of X-Factor, artists have been reluctant to release singles during the run up to Christmas as the show's three month investment would most certainly claim the top spot. That is the purpose of X-Factor. The winners are statistics, not credible artists.

The campaign reminds us that the internet is changing everything. It has given a voice to the silent majority, and if one chooses to listen to that voice, it can change everything. Do not hold the arrogant belief that your favorite band from days gone by have been reduced to shit because of mass media attention. That's not the point. The point is with one idea we can make a severe change, which is more relevant now than ever. With an idea we can all be treated as one. No self-righteous mindsets, no arrogance and no outrage.

Tuesday 8 December 2009

New A-Team Promo Shots


Those of you who have purchased this month's Empire will have come across this beaut. It's the cast of the new A-Team movie in full underground resistance attire. I wasn't overly sure who was cast as what, but here's hoping these guys have the potential to pull it off.


I was even more excited at the news of District 9's Sharlto Copley as Murdoch.


Can't. Fricken. Wait

Thursday 3 December 2009

Milky the Blur Milk Carton Cutout


Many of you learned Blur fans will know of this, but so many people have asked me how I made my own Milky milk carton from the Coffee & T.V music video, so I decided to divulge with you lovely bastards.


A friend of a friend informed me of this little piece of cool-ness a couple of years ago, thus I decided to make my own. He took pride of place upon my mantelpiece for eighteen happy months until I moved to another house. The little fucker was crushed in the moving process.

Here you can have a bash at making him and his girlfriend yourself:


He-Milk Carton

She-Milk Carton

Designs by Gareth Stranks @ stranksdesign.co.uk

They've even got the guitar tabs for Coffee & T.V on the side.